DISCLAIMER: This movie analysis will only address some of the many themes introduced in the movies but does not intend to touch on the multi-layered aspects (symbolisms, esoterism and subliminality) Kubrick sprinkled through as this could expand into 50+ pages worth of analysis. This analysis will thus not be exhaustive, and the editorial choice of the themes addressed does not mean other themes do not exist; it was a discriminatory arbitrage made for the coherence and length limitation of the article. One of my friends asked for this analysis as a birthday gift, alongside another coming soon. If you particularly enjoy these pieces, you can become a paying subscriber and suggest movies to me directly to break down.

The first part will be a short summary of the movie. The second part will discuss some of the key themes present in the film. The third part will break down key scenes using the attached videos. The fourth part will be a quick summary of the deeper themes from the breakdown.

I] The Summary

Dr. Bill Harford (Tom Cruise) and his wife, Alice Harford (Nicole Kidman), are a wealthy New York couple living in what appears to be a comfortable and loving marriage. Bill is a successful doctor, while Alice is a stay-at-home mother to their young daughter, Helena Harford. They attend an extravagant Christmas party hosted by Bill’s wealthy patient, Victor Ziegler.

At the party:

Alice dances flirtatiously with Sandor, a smooth-talking Hungarian aristocrat who tries to seduce her.

Bill is approached by two beautiful young women, Gayle and Nuala, who attempt to lure him away for a more intimate encounter.

Bill is interrupted when Ziegler’s assistant summons him upstairs.

In a private bathroom, Bill finds Mandy, a high-class escort, unconscious from a drug overdose. Ziegler is with her and asks Bill to help revive her. Bill agrees to keep the incident secret.

The next night, Alice and Bill smoke marijuana and discuss fidelity. Bill confidently insists that women are naturally more loyal than men, believing that Alice would never cheat on him.

Alice shocks him by confessing that, during a vacation the previous summer, she was sexually infatuated with a naval officer she had briefly encountered. Though she never acted on her desire, she admits she was willing to abandon Bill and their daughter for this man.

After leaving home late at night, Bill wanders the streets of New York. He seeks validation through a series of sexual encounters, but each one is interrupted before anything can happen:

Bill visits the home of a recently deceased patient, where he is unexpectedly kissed by the grieving daughter, Marie, who confesses her love for him. He leaves.

He then meets a prostitute, Domino, and almost sleeps with her, but a call from Alice stops him.

Bill meets his old friend, Nick Nightingale, a jazz pianist who tells him about a secret, highly exclusive masked party where he plays blindfolded.

Intrigued, Bill forces Nick to reveal the password: "Fidelio", the Italian word for fidelity.

Bill rents a black cloak and a Venetian mask from a costume shop owned by Mr. Milich. While there, he witnesses Milich’s young daughter in a compromising situation with two older men. Milich, initially outraged, later suggests he profits from these encounters, subtly hinting at human trafficking and sexual exploitation in high society.

Bill arrives at a secluded mansion where an elite, cult-like gathering is taking place. Inside, masked figures in black robes perform ritualistic sexual ceremonies led by a mysterious High Priest in red robes.

As Bill explores, a masked woman (Mandy, the prostitute he saved at Ziegler’s party) warns him to leave immediately. Bill is soon exposed as an outsider.

The Red Cloack demands that Bill remove his mask. The masked woman offers herself as a sacrifice to "redeem" him. Bill is forcibly removed, but not before being warned that he is now in grave danger.

The next day, Bill tries to uncover what happened:

He learns that Nick Nightingale has disappeared—the hotel staff claims mysterious men took him away.

Domino’s roommate warns Bill that Domino tested HIV-positive, reinforcing the dangers of his reckless night.

Bill revisits the mansion but is handed a letter warning him to stop investigating.

Later, Bill discovers that Mandy has been found dead from an overdose. He begins to suspect that the secret society may have murdered her to silence her.

Bill is summoned to Ziegler’s house, where Ziegler admits he was at the masked ritual and warns Bill to drop his inquiries.

Ziegler tells Bill that:

Mandy’s death was just a coincidence—she was a drug addict, and the overdose was “bound to happen.”

The masked society is real but far more powerful than Bill realises.

Bill was never truly in danger, but he was trespassing in a world where he didn’t belong.

Disturbed, Bill returns home, where he finds his Venetian mask mysteriously placed on Alice’s pillow. This suggests that he has been watched and that his secret is known.

He confesses everything to Alice during an emotional breakdown. She listens without much reaction but is visibly affected.

They take their daughter Christmas shopping the following day, attempting to return to normalcy. But their final conversation reveals their lingering unease:

Bill asks what they should do now.

Alice responds with the film’s final, provocative line:

"There is something very important we must do as soon as possible... Fuck”.

Her words suggest that the only way to reconnect and reclaim their marriage is through physical intimacy—the same thing Bill had been seeking throughout the film.

II] The Movie’s Themes

A) Everyone Has a Price

Despite the film’s heavy presence of nudity and sexual encounters, it lacks any real sense of eroticism. Rather than portraying sex as passionate or intimate, the film reduces it to a mechanical and transactional act devoid of emotional depth. By stripping sex of its sensuality, the film examines it with a clinical detachment, neither celebrating nor condemning it but instead reflecting on its role as a fundamental yet impersonal human drive.

The power dynamics between men and women are unmistakable. Dr. Bill, whose very name evokes money, represents the traditional provider, while Alice is a decorative figure, admired rather than empowered. The film also touches on the unsettling theme of child exploitation, as seen through the costume shop owner’s daughter—a disturbing parallel to Alice. Like many female characters, she is stripped of agency, given barely any dialogue, and ultimately reduced to an object rather than an individual.

Ziegler’s party further reinforces this idea, where sex is treated as nothing more than a form of social currency. Bill and Alice are casually propositioned, reflecting a world where the elite engage in sexual exchanges as effortlessly as they would a business deal. The significance of relationships fades in the face of depersonalised desire, where physical pleasure is sought without genuine connection. Even Ziegler himself embodies this detachment, indulging in an affair with a prostitute while his wife remains absent, reinforcing the film’s commentary on the transactional nature of sex and power.

B) The Quiet Cheating Obsession

Alice introduces the concept of infidelity by revealing a moment in which she strongly desires to be unfaithful to Bill. Similarly, Marie confesses her romantic feelings for him, triggering Bill’s own subconscious desire to seek out an affair in response.

Even his friend, Nick Nightingale, is entangled in deception—while his wife remains in Seattle, he secretly pursues a relationship with the barista next door. Ironically, his last name, associated with the pure and virtuous nightingale bird, contrasts sharply with his own actions.

As Bill wanders through the city, he repeatedly finds himself on the verge of infidelity—whether through an encounter with a prostitute or a flirtation with his friend’s daughter. Yet, rather than physically acting on these temptations, his true fixation lies in the idea of betrayal itself, obsessing over possibilities rather than actual transgressions.

C) Influence and Community are Power, Not Money

Bill frequently uses money and status to manipulate those around him, either by bribing them outright or leveraging his position as a doctor to gain trust. His wealth becomes both a tool for influence and a means to inflate his own ego. In New York, everything operates as a transaction, and everyone has a price—Milich, for example, initially rejects a $100 bribe but quickly succumbs when the offer is doubled. His moral outrage over his daughter’s involvement with older men quickly shifts into opportunism, as he ultimately pimps her out. Meanwhile, the prostitutes at the mansion exist as mere commodities, dispensable and subject to dire consequences should they violate the rules of secrecy. In this world, everyone is selling themselves—some simply do it in a collective rather than as individuals.

Yet, despite Bill’s financial security, he is ultimately insignificant in the grand hierarchy of power. His exclusion from the elite is emphasised during the ritual at the mansion, where he is forced to unmask himself—a deliberate act of humiliation designed to remind him of his inferiority. The influence of this secretive cult extends throughout every corner of New York, reinforcing the idea that even those who belong to the upper class can still be powerless pawns in a much larger system. At Ziegler’s party, Bill acknowledges that he knows no one to Alice, foreshadowing his later intrusion into the masked gathering. This event is the unfiltered, sinister counterpart to the more polished, socially acceptable socialite activity he had previously witnessed.

D) Fidelity

The notion of faithfulness is put to the test during Bill and Alice’s argument, which catalyses Bill’s night-long descent into sexual temptation. Alice completely undermines his sense of agency and emotional stability by revealing her past intense attraction to a naval officer, a memory she recounts in agonising detail, seemingly taking pleasure in his discomfort.

Bill holds a traditional view of gender roles, believing that while men lust after women, women seek security in men. Alice shatters this illusion by laughing at him and delivering a scathing monologue, confessing that she would have abandoned both him and their daughter for just one night with a captivating stranger. Bill initially dismisses her confession as drug-induced aggression. Still, her perspective is later reinforced when Marie, Carl’s fiancée, is willing to leave him for Bill despite sharing nothing more than a brief interaction about her father’s health.

Similarly, Sandor subtly reinforces this theme when he flirts with Alice using The Art of Love, suggesting that marriage is merely a means for women to legitimise their virginity, giving them the freedom to pursue their desires at will later.

Their heated discussion exposes a glaring truth—Bill and Alice have never truly examined the foundations of their commitment. When confronted with the question of why they remain faithful, their only response is the simplistic assertion that they are married, revealing the fragility of their assumptions.

By the film’s conclusion, Bill offers Alice a vow of eternal love, but rather than finding comfort in it, she appears uneasy, even afraid. This final moment encapsulates the film’s central revelation—that desire and infidelity are not bound by gender and that Bill’s rigid beliefs about relationships are hopelessly outdated.

The film’s ultimate irony lies in the password to the secret orgy—“Fidelio”, which translates to “fidelity” in Italian, a cruel joke on the illusion of loyalty that Bill had so desperately clung to.

E) Dreams and Reality have the same significance

Alice treats her dreams and fantasies as if they hold the same weight as Bill’s actual descent into moral corruption despite the stark contrast between them. She is brutally honest about her desires, openly confessing the extent of her temptation with the naval officer. Yet, Bill spends the entire film lying to her, concealing the truth about his night of depravity. By the end, he is forced to confront the reality that no dream is ever just a dream.

Yet, Alice ultimately chooses to let Bill off the hook. She understands the gravity of both her thoughts and actions but decides not to punish him, instead redirecting their focus toward rekindling their sex life. The film suggests that genuine self-reflection is more destructive than beneficial—Bill and Alice emerge from this ordeal not enlightened but more fractured than when they began.

Alice’s raw honesty is what initially propels Bill on his dangerous path, and she maintains this unflinching truthfulness until the very end.

III] The Breakdowns

A) The Argument Scene

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The scene starts with Alice admitting that Sandor wanted to sleep with her, which Bill appreciates as “understandable” as she is beautiful. He thought he was complimenting her, not realising he was setting himself up for some bullshit. This then confirms something hot women hate believing in, which is that their sole purpose in life is to get fucked by men instead of being appreciated for their personality or intelligence. It is the same as admitting to a man that his only value is his wallet, aka “husband material”.

Alice is looking to shit-test Bill querying him whether he wants to fuck the two models as a response to Bill’s claim and corner him using his own logic. His response was borderline patronising, only confirming he wanted to shag them but would not because he is obligated through the duty of marriage. Even though that is true, she did not want to hear it. In the same way, a guy would not like to know he was the last resort sperm bank because she wanted to get pregnant. He thought he was brilliant, but he unleashed the spiteful snake.
He then denies her feelings, putting it on the pot factor, doubling down on stupid. This is the behaviour of a guy who believes he knows more than he does, with a big ego provided by his money and status, but has no clue about female psychology and is soon going to realise that he is not as strong as he believes himself to be, as he is living in the cotton candy world, he created for himself.

She then decides to disclose what the mind of a woman would be, despite his claimed professionalism, when Dr Bill goes and touch tits and nipples, introducing the idea of female desire in the mix, indirectly challenging the notion that duty does not stop desire no matter how bad we want to tell ourselves the opposite.

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He then goes on to assert that women are not like that; he embodies the blue pill belief that the provider part is what women seek and value. This is when she decides to give him the cold, hard truth that she previously hid out of pragmatism for the relationship’s safety, going on to show how much more socially and sexually aware she is than Bill but has been underplaying. So much so that he confirmed he had never felt jealous. However, we are going to see why that is the case. It was not because she was not like that; she just decided it was better for the relationship to hide certain unpleasant truths that would not be nice to hear.

Another blue pill notion is to believe that duty and commitment are ingrained in women and that you are sorted once you marry her and give her children. This provides you with a security that other men don’t have with their women. The wife more easily reaches security through marriage than the man because the real investment is less through her willingness to stay for the kids and the sanctity of marriage as an institution, but by the financial penalty burdening the man should there be a divorce.

You can see he feels quite proud of himself for explaining how life works to Alice; this is the typical male ego that sets him ripe for a wake-up call she will happily give him. She laughs because she has just realised how clueless he is and is starting to lose respect for him. She then starts to recall a specific occurrence where she was sexually drawn to a naval officer, and she was ready to drop her happy family life for a complete stranger she fancied the pants off him. The look on Bill’s face is one of disbelief, as he had never imagined such a possibility, while she takes pleasure in twisting the knife in his heart and ego.

This also goes to show how you can never win a shit test. Had he been honest and confessed he would fuck the two models, she would have been very annoyed. People want the truth but can’t handle it, so it is better to lie, but it does not always work, especially when a woman is clued up and much more aware of existing sexual dynamics. In that respect, Bill was right in saying she was looking to pick a fight, but he dug his grave with that misplaced arrogance, confirming to Alice she was above him thanks to his lack of life knowledge.

This is the first stage of Alice’s showing her dominance within the relationship despite her homemaker status, which makes her financially dependent on Bill to survive.

B) Alice’s Confession

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After Bill escapes to the NY underworld, he realises that there is a whole world he does not know. Still, he is trying to catch up by going down the rabbit hole through his morbid curiosity and asking Alice to go deeper into her dream. She started to narrate and stopped. As he suspected, and rightly so, that there was more to it. This can easily be guessed as Alice is more emotional than warranted in the story's first part. He tries to reassure her that it is only a dream.

She then goes deeper into the dream, illustrating the orgy set-up he just left earlier in the night, where she admitted she dreamt of fucking other men, many of them. For the more cynical of us, this could be an understatement of her past using the dream as a cover, and this theory would be later reinforced by the closing scene, which will be broken further on. This also introduced the idea of even it being present when she attended that sex party Bill introduced himself to. This is another blue pill shake down, where a man’s worst nightmare is that his wife and the mother of his kids were passed around with every man making the 18 holes in the fraternity to have their turn, but he was the one left holding the bag if she is still not doing it behind his back. This is why the subject of Body Count hits a man’s nerve so hard.

To add insult to injury, she admits to framing Bill as the Cuck in Chief overseeing all the Bulls doing her. It introduces the possibility that she was at the party, which he was kicked out of. As people were wearing masks, this can only increase Bill’s anxiety and insecurity. In these two scenes, it is the concept of toxicity through honesty, where a woman under the umbrella of transparency can foster jealousy in a man by admitting to her deep desires or using lusty narratives using faceless men as a means to unsettle her husband or boyfriend to create a trauma bond and poking at his manhood.

This shows that Bill felt so secure in his relationship because his wife's pragmatism kept things away from him, not because he was secure in himself. He was playing on the under-18 team while she was playing in the starting line-up of the primary team. A girl being toxic is an indirect shit test to see your mettle as a man. However, you still can’t win because even if you show yourself to be secure, it still disgusts you with the reality the girl depicts about herself. It eventually makes no sense to keep seeing her.

Another reading I have of this is that Alice is using her cries, on top of the fact that it was only a dream, to deliver the blows better and play the victim while operating as the preparator. She uses Bill's excuse of asking for further details to pour even more salt on the wound by prompting him to do so indirectly. Her later cold behaviour shows how much more of a calculating person she is.

There is also an interesting parallel where she takes as much pleasure in telling that excruciating story as she takes pleasure in Bill seeing her in the arms of all these men, displaying the disrespect she has for him both in the dream and in her revealing the most disgusting side of her, she would have usually hid like she used to do. She laughed at him in the dream as much as she laughed at him in the previous argument scene, maybe secretly doing it while confessing.

C) Bill’s Breakdown

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The music embodies Bill's despondency. He digests everything he has seen and heard through the night, setting him up for another discovery yet to unfold. He opens that beer like he just returned from a long day’s work. It is actually a good metaphor for him opening the can of worms earlier in the night, not realising there is no end to it.

He then enters the bedroom door and sees the mask he used for the party on the bed’s pillow, opening a few possibilities. This is where the dread starts to really take its toll. Was it Alice’s indirect way of calling him out on his bullshit, confirming, especially after her dream, that she was at the party he invited himself to go to? This would further support that she knew all along and played him like a fiddle whilst toying with him with the dream confession as a foreshadowing of what she would later reveal, only reinforcing that she owns him beyond his wildest dreams, whilst playing the innocence card when convenient. Or could this be the sex cult which introduced themselves to the house, putting the mask on the bed as a final warning to drop his quest for knowledge, threatening his wife and kids?

The beauty of this movie is that it transcribes the duplicity of women and how we can argue whether what a woman did was on purpose or a by-product of randomness where we assume agency when it could be an opportunity. We are so desperate to seek clarity, yet we don’t get the answers we want, such as life.

Finally, the burden is too significant for Bill to bear, and he breaks down in front of Alice, only crystallising the real weakness he previously portrayed as a strength. Blissful ignorance creates the hubris many men seek refuge in because they lack knowledge. Knowledge can bring you peace if you know how to manage it and strength once you learn how to accept it. In dispelling the founding society’s myths that its purpose is for the good running of it, you need to have many people believing in these softer beliefs. The people with real power showed their relevancy and mental fortitude through their economic prowess or luckiness but also because they also accepted the dark realities of human nature and exploited them to their benefit.

Morality is just the coat of the people with little to nothing to revert back to better feel powerful through moral grandstanding to hide their irrelevancy in the broader picture. This goes deeper and implies that you should set yourself higher up. You need to break through that moral compass to reach the higher levels of society. Nobody gets there without blood on their hands.

The last bit of the scene is the final realisation of the powerlessness Bill has despite his initial beliefs. His money did not give him power, his husband’s status did not give him dominion over his wife, and his doctor and upper-class position in society did not make him knowledgeable one bit of life as he thought it was the case. It is a lesson in ego management, but more importantly, the look on Alice’s face, whether she entirely engineered it from the beginning or played along to see what would happen, is one of contempt for the weakness Bill has finally conceded by crying in front of her and admitted like a child what he did wrong.

D) Bill and Alice Closing Scene

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Bill had been put in the doghouse. They walk into the toy shop for Christmas Shopping, and you can tell from his body language that he is helpless. She is closed off from crossing her arms. Few words are uttered, but she controls the dynamic, and Bill asks for guidance. Despite his original alpha provider stance, he has completely given in to her power.

Alice shows much more composure about the situation and claims they should be grateful to have survived these adventures. She aligns her dream with reality, blurring the lines even further about whether what she confessed was real or just a dream. She gives him a pass and puts the perspective that what happened one night can never be the whole truth and that there is more to it.

That statement here: “We are awake now. And hopefully for a long time to come.”. Bill follows up with “Forever”, which frightens Alice. Before she ends the scene, the most crucial thing they need to do is “Fuck”. This goes to show two things. She hates to commit as she hates the accountability that goes with it, and fucking is the best way to lose ourselves in the ether to better lie to our condition keeping ourselves in blissful ignorance whilst ignoring the deeper realities of the subconscious, which eventually leads to the destruction of the nice little story we tell ourselves. The love she confesses to him is to reassure him rather than to state what it is because that feeling is only as good as the sound of the word, transient with no end guarantee that it is going to stay the course, only illustrating the contrast with her reluctance to agree to the forever suggestion of Bill—a reassurance with no potency in it.

IV] Toxicity and Female Manipulation

A) Sexual jealousy, male ego destruction, psychological torment

Alice’s first confession is about introducing jealousy and mental torture onto Bill. Bill is less troubled by actual infidelity than by the idea of it, which torments him. Something does not need to be real for it to matter. It has to be plausible and possible. The thought one entertains can be more damaging than the reality of it happening. It can also be argued that it is even worse because uncertainty is the source of dread, which can destroy someone from within, rather than certainty, which provides a closure one can move away from.

Bill, previously unshaken by flirting with other women, is now visibly tormented by the idea of Alice’s desire for another man. The explicit details Alice provides plant an obsessive thought in Bill’s mind, which haunts him for the rest of the film. This scene marks the beginning of Bill’s mental downward spiral, where he seeks validation through dangerous sexual encounters.

Bill is plagued by visions of Alice having sex with the naval officer. These slow-motion, dreamlike sequences show Alice writhing in ecstasy, wholly absorbed in her fantasy. Bill appears emotionally wrecked as these thoughts replay in his head. This provides evidence that the mind can create an even worse reality than the reality because of expecting the worst. This is most likely when someone is not expecting a truth bomb to rock their world.

Bill roams the city, encountering multiple opportunities for cheating (the prostitute, the flirtation with his friend’s daughter). These scenes depict his growing fixation with what could have been rather than actual betrayal.

This scene visualises the destructive power of sexual jealousy, showing how an imagined betrayal can be more painful than a real one. The contrast between Alice’s cold, detached delivery of her confession and Bill’s internal torment highlights how much more this affects him than it does her.

B) Rebellion against jealousy, desire for revenge, emotional self-destruction

Bill’s anger and obsession with Alice’s confession push him into self-destructive behaviour. The film subtly implies that Alice knew Bill would react this way, as described previously in the calmness of the description of the naval officer’s fantasies on her holidays and in her sexual orgy dream.

Bill is blindly stepping into something he doesn’t understand once he coaxes Nick Nightingale to get him to that occult sex party. The masked ball represents a world of hidden sexual desires, an embodiment of the fantasies Bill believes he has been denied. While he does not physically cheat, his participation (and ejection) underscores his simultaneous attraction to and fear of infidelity.

Bill, who initially sought sexual revenge on Alice, instead finds himself completely powerless and emasculated. The masked woman’s sacrifice echoes Alice’s confession—she is willing to give herself up for something Bill doesn’t understand. Instead of being aroused or empowered, Bill is left feeling small, vulnerable, and out of his depth.

Bill finally realises how small and powerless he is in this hidden world of wealth and influence. The mind game is complete after the last Ziegler encounter: Bill, after all his obsession, jealousy, and attempts at revenge, is left emotionally broken and mentally tortured.

C) The cycle of manipulation and control in relationships

Bill confesses everything to Alice. Instead of anger, she passively listens, suggesting she already knows. The next day, while Christmas shopping with their daughter, Alice delivers the final, devastating line: “There is something very important we must do as soon as possible… Fuck.”

This turns the entire film on its head. Alice’s cold, calculated delivery suggests that she has controlled Bill all along. Rather than an emotional reunion, her statement implies that sexual desire—not trust or love—is what keeps their marriage alive.

V] Conclusion

Eyes Wide Shut isn’t just about infidelity—it’s about the torturous mental games people play with each other in relationships. Every scene is layered with hidden intentions and psychological power struggles. Alice’s confession begins Bill’s descent into jealousy and obsession. Bill seeks revenge but finds only powerlessness and submission. Alice’s final words imply she was playing a deeper game all along.

There is another lesson, one for couples who are facing challenging moments. Some events may have occurred, but how you want to appreciate them matters more than the feelings emanating from the situations. It won’t feel great, and you know you are not being true to yourself. Still, suppose the union for the stability of the household takes prevalence. In that case, it is about moving through it, despite the bitterness of accepting the new lay of the land, as a relationship is not about only you as the individual but the couple as a unit. It is not all glitter and roses but often goes through periods of ashes and sulfur. It is about crossing the time zones no matter the background because the reality of an event is only as relevant as the reality of the descent you both coopted in giving meaning to. If the union and what it entails for both of you is not as significant as your alignment with your identity, it makes no sense to stay in one. It is about where your priorities lie and to what extent the event shattered the foundation of what you already built.

The film’s brilliance lies in its ambiguity, such as in life. It also ultimately presents a bleak conclusion: it is safer to move through life in a state of controlled detachment, aware of the darkness surrounding us yet choosing to ignore it rather than allowing brutal truths to unravel the fragile stability we construct for ourselves. In the end, to pretend nothing is wrong while knowing otherwise is preferable to blind ignorance, leaving us with the haunting realisation that we are better off keeping our Eyes Wide Shut.

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